Noise Cancelling headsets - metro
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Noise Cancelling headsets - metro
Just looking for the prefered noise cancelling headset on a metro 2 to get rid of the lovely whine. Bose or DC's??? thanks
the noise cancelling don't work that well on a 2. Something about the frequency of the prop blades being higher than the cancelling range. I used to use custom musician's earplugs from someplace that sells hearing aids. They cost about $180 or so, but you don't have to pay for a new battery every 20 hrs and they fit very comfortably under your headset.
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the_professor
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Is it simply a difference in insulation between the 2 and the 3? Over ATC speakers the 3's sound like a King Air. The 2's sound like someone forgot to the latch the door, and/or opened a cockpit window in order to let the bong smoke out. (I assume that's why you guys sometimes miss so many radio calls)intheknow wrote:the noise cancelling don't work that well on a 2. Something about the frequency of the prop blades being higher than the cancelling range. I used to use custom musician's earplugs from someplace that sells hearing aids. They cost about $180 or so, but you don't have to pay for a new battery every 20 hrs and they fit very comfortably under your headset.
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ditshisturber
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The Metro II 3 bladed prop turns at 2000 RPM at 100%, while the Metro III 4 bladed prop spins at 1591 RPM at 100%... that is the big difference right there. Most cargo machines have a lot of the interior and insulation stripped down, but IIs are exceptionally noisy (Pax or cargo).the_professor wrote:Is it simply a difference in insulation between the 2 and the 3? Over ATC speakers the 3's sound like a King Air. The 2's sound like someone forgot to the latch the door, and/or opened a cockpit window in order to let the bong smoke out. (I assume that's why you guys sometimes miss so many radio calls)intheknow wrote:the noise cancelling don't work that well on a 2. Something about the frequency of the prop blades being higher than the cancelling range. I used to use custom musician's earplugs from someplace that sells hearing aids. They cost about $180 or so, but you don't have to pay for a new battery every 20 hrs and they fit very comfortably under your headset.
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the_professor
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I thought all PAG's machines now ran on the 4 blade props though? Didn't PAG engineer that design with Hartzell?ditshisturber wrote:The Metro II 3 bladed prop turns at 2000 RPM at 100%, while the Metro III 4 bladed prop spins at 1591 RPM at 100%... that is the big difference right there. Most cargo machines have a lot of the interior and insulation stripped down, but IIs are exceptionally noisy (Pax or cargo).the_professor wrote:Is it simply a difference in insulation between the 2 and the 3? Over ATC speakers the 3's sound like a King Air. The 2's sound like someone forgot to the latch the door, and/or opened a cockpit window in order to let the bong smoke out. (I assume that's why you guys sometimes miss so many radio calls)intheknow wrote:the noise cancelling don't work that well on a 2. Something about the frequency of the prop blades being higher than the cancelling range. I used to use custom musician's earplugs from someplace that sells hearing aids. They cost about $180 or so, but you don't have to pay for a new battery every 20 hrs and they fit very comfortably under your headset.
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the_professor
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I'm not entirely sure if you're asking a question...
...It has to do with the engine that the props are attached to. Metro IIs (-6 or -10 engines) turn at 2000 RPM. Metro IIIs and 23s (-11 or -12 engines) turn at 1591 RPM. (You don't set Prop RPM in a garrett engine anyways, you set Engine RPM. In percent of maximum. i.e. 100% for takeoff)
...And yes, the blades are longer on the III and 23 than the blades on the II. But the longer blades are the RESULT of the slower turning engines, not the cause.
...You're right, 3+4+2+4 = 13. But you've completely lost me otherwise.
...It has to do with the engine that the props are attached to. Metro IIs (-6 or -10 engines) turn at 2000 RPM. Metro IIIs and 23s (-11 or -12 engines) turn at 1591 RPM. (You don't set Prop RPM in a garrett engine anyways, you set Engine RPM. In percent of maximum. i.e. 100% for takeoff)
...And yes, the blades are longer on the III and 23 than the blades on the II. But the longer blades are the RESULT of the slower turning engines, not the cause.
...You're right, 3+4+2+4 = 13. But you've completely lost me otherwise.
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Highflyinpilot
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gonefishin'
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ditshisturber
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Assuming with IIs and IIIs that we have -10s and -11s, aren't the engines are both turning at the same speeds at 100% - about 41,730 RPM? I understand that is what a -11 does, what is the actual engine RPM of a -10 at 100?Turkey wrote:I'm not entirely sure if you're asking a question...
...It has to do with the engine that the props are attached to. Metro IIs (-6 or -10 engines) turn at 2000 RPM. Metro IIIs and 23s (-11 or -12 engines) turn at 1591 RPM. (You don't set Prop RPM in a garrett engine anyways, you set Engine RPM. In percent of maximum. i.e. 100% for takeoff)
...And yes, the blades are longer on the III and 23 than the blades on the II. But the longer blades are the RESULT of the slower turning engines, not the cause.
...You're right, 3+4+2+4 = 13. But you've completely lost me otherwise.
Through the reduction gearing, we end up with blades spinning at either 2000 rpm or 1,591.
Just curious
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the_professor
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I'm still confused.Turkey wrote:Quite correct. I was only speaking of the end result. i.e. what the pilots and passengers hear in the cabin.ditshisturber wrote:Through the reduction gearing, we end up with blades spinning at either 2000 rpm or 1,591.
I understand longer blades are rotated slower. Doesn't this still result in roughly the same speed at the tip of the longer blade?
Why does the III sound so much quieter over the radio, yet I can't tell the difference (without looking up) when a II or a III flies over me when I'm on the ground? The buzz sounds the same from the ground to me.
You can tell a II and a III when on the ground. One's a low hum and the other's a high pitch scream.the_professor wrote:
Why does the III sound so much quieter over the radio, yet I can't tell the difference (without looking up) when a II or a III flies over me when I'm on the ground? The buzz sounds the same from the ground to me.
Everything comes in threes....
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gonefishin'
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Only had one problem in 3 years, sent them to LS in PDX and they were back in 2 days, fully reconditioned. When the batts go they are noisy, so its good to have a spare set of AA's. Usually get about 50 hours per set. As for comfort, very good, except when its very cold, as the gel ear pads get rock hard.ei ei owe wrote:How's the durability and workmanship? How's the noise reduction when the bats run down? Are they comfortable?gonefishin' wrote:Lightspeed XL15's... worked great for 3 years on a metro II and III.
funny... I've flown with two guys who raved about their lightspeed headsets and said how good they were.... both headsets broke the very first day I flew with them. They seem to be built with a low quality composite or plastic frame that always breaks after a couple years. The circuit boards crapped out on one and the ear pieces fell off of both sets. Funny as hell to watch them talk on the radio trying to hold their headset together.gonefishin' wrote:Only had one problem in 3 years, sent them to LS in PDX and they were back in 2 days, fully reconditioned. When the batts go they are noisy, so its good to have a spare set of AA's. Usually get about 50 hours per set. As for comfort, very good, except when its very cold, as the gel ear pads get rock hard.ei ei owe wrote:How's the durability and workmanship? How's the noise reduction when the bats run down? Are they comfortable?gonefishin' wrote:Lightspeed XL15's... worked great for 3 years on a metro II and III.
One guy had his 10 year old DC's fall apart once too.. funny as hell to watch no matter what the headset....
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Liftdumper
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